32-bit float audio recording is not a panacea

Waveforms from the Final Cut Pro timeline of Tascam Portacapture X8 recordings showing the difference between Auto Gain and constant gain

I recently replaced a horrible, dodgy Zoom H4n with a Tascam Portacapture X8, for recording (primarily) theatre and music performances. One of the appeals was 32-bit floating-point recording which was literally promised to eliminate concerns about input levelling, clipping, and noise: The reality is, with 32-bit float recording you can turn on your recorder, hit… Read more